Malevich Basic AB

Malevich Basic AB - Neret, Gilles | Caritasspiritistcenter.org

... Basic AB - After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878-1935) found his metier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction ... Automatically generating abstract paintings in Malevich ... ... . In 1915, he created what is widely lauded as the first and ultimate abstract Malevich Basic AB količina Dodaj u košaricu ISBN: 9783836546393 Izdavač: Taschen GmbH Područje: Likovna umjetnost, kiparstvo Uvez: Tvrdi uvez SKU: VBZ-4696 Kategorija: Likovna umjetnost Oznake: pionir geometrijske apstrakcije , predstavnik ukrajinske te ruske avangarde , teoretičar umjetnosti Jezik: Engleski Biblioteka: Basic Art Series 2.0 Godina izdanja: 2016 Comrades, arise, free yourselves from the tyranny of objects, Kazimir Malevich. A leading figure of the avant-garde and a pioneer of the non-objective style Dabbling in fauvism and cubism before founding the Su ... (PDF) Basic Design, Theory and Practice - ResearchGate ... .0 Godina izdanja: 2016 Comrades, arise, free yourselves from the tyranny of objects, Kazimir Malevich. A leading figure of the avant-garde and a pioneer of the non-objective style Dabbling in fauvism and cubism before founding the Suprema...

INFORMACIJA

AUTOR
Neret, Gilles
DIMENZIJA
8,1 MB
NAZIV DATOTEKE
Malevich Basic AB.pdf

OPIS

Supreme Feeling Kazimir Malevich, pioneer of abstraction After flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract artwork: Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice. In this book, we follow Malevich’s key innovations and ideas and place his groundbreaking achievements within the context of both the Russian and global avant-garde. Through rich illustrations of his work, we explore the artist’s theory of Suprematism, based on severe geometric abstraction and “the supremacy of pure feeling in creative art”; his leading role in the development of Constructivism; as well as his interests in philosophy, literature, Russian folk art, and the fourth dimension.
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